“What is a ‘DJ Lecture’?: Uprooting sovereignties of knowledge through montaging songs”
in the Call&Response Section of Sonic Scope Journal: New Approaches to Audiovisual Culture, Peer reviewed academic journal, Department of Music at Goldsmiths, University of London, February 2021.
“Technospatial Entanglements of Infrastructural Biopolitics”
Symposium Proceedings “Space Interweavings: Ethos-Social Practices- Architecture”, Aristotle University of Thessaloniki, 9-11 October 2020. (to be published)
“Better Dissonant than Voiceless Mute: A Story of Sonic and Spatial Agency”
At the “Kreatura Zine” publication of the Association of Polish Architects, Krakow, March 2020.
“Opaque Aesthetics: Edouard Glissant and Spatial Relations”
Participation at the “The New Alphabet School #1: Translating” organized by Haus der Kulturen der Welt, Berlin, 18 June 2019. (Session: “An Architectural Reading of Glissant’s Poetics of Relation” ).
“Opaque Aesthetics” & “The Opaque Zone”
At the “The Opaque Zone” publication of the same titled exhibition of the Department of Visual Cultures, Goldsmiths, University of London, London, May 2019.
“The Logistical Vector of Archaeology of Media: Excavating the New Aesthetic Paradigm”
At “Dialogues in Archaeology: 5th Meeting, ThalassoGeographies: Sea Routes, Flows, Networks”, Dialogues in Archaeology Symposium in Volos, 31 May 2019. (Session: Archelogy of Media)
“Infrastructure and Media: Towards a New Aesthetic Paradigm”
Thesis submitted for the MA in Contemporary Art Theory, Department of Visual Cultures, Goldsmiths, University of London.
Supervisor: Manuel Ramos.
“Logistical Aesthetics: Towards an Archaeology in Present Tense”
Essay developed at the “Ocean as Archive” course of the MA in Contemporary Art Theory, Department of Visual Cultures, Goldsmiths, University of London.